If looks could sell

July 2, 2009

How leading Publishers create impact on target audiences through covers – Amazon Top 5 Tour (accessed 1.7.09)

Today, Seth Godin commented on the purpose of book covers.

“Is the purpose of the cover to sell books, to accurately describe what’s in the book, or to tee up the reader so the book has maximum impact?
The third.”

Let’s take a look at Amazon’s top 5 titles to see what is making an impact, how, and on whom. These successful approaches provide guidance on how to package your ideas successfully in a very congested marketplace.

1.  Glenn Beck’s Common Sense: The Case Against an Out-of-Control Government, Inspired by Thomas Paine

Designer: Ruth Lee Mui
Publisher: Simon and Schuster

GLENN BECK

To handle the amount of text the background image is plain. Soft, aging paper evokes a sense of history.This ties into the reference to Thomas Paine, and is reinforced by the 19th century style typeface. The centre-justified text tends to stack up like a “Wanted” poster of that time. This sets the tone that someone (the Government) is about to get a shellacking! All these features tie together successfully to impact on older men seeking a return to common sense.

Main appeals: History, lost wisdoms.
Target audience: Baby Boomer skewed strongly to male.

2.Sookie Stackhouse, Books 1-7 [BOX SET]
Designer: Uncredited
Publisher: Penguin

SOOKIE

This is a striking physical package. The box set leads with a relatively sexy vampire licking her bloodied lips. Her pale skin contrasts with the shadows and lipstick and the trickle of claret. This creates a certain voyeuristic intrigue. The spines facing out of the box approximate a rack of glam-rock coffins that say “fiendish and fun” – aiming to impact on female readers seeking some escape from the mundane.

Main appeals: Horror, sex, gothic mystery with shades of romance.
Target audience: Gen X to Boomer skewed to female.

3. Catastrophe (How Obama, Congress and the special interests are transforming…a slump into socialism ad a disaster into a Catastrophe…and how to fight back)

Publisher: Harper COllins
Designer: Unknown

DICK MORRIS

This cover uses typography and colour only. The effect is like a busy political poster.
The sans serif type adds a contemporary appeal, although the drum-beating message seems as old as Adam. The author’s names and the title are brought forward through the use of white against the orange background. The subtitle, which strategically reads like a cloud tag of high volume words, is stacked like film credits. Overall the effect is of accumulated, building urgency and impact on mature, conservative men worried about America.

Main appeals: Call to arms on big issues.
Target audience: Boomer and beyond,  skewed to male.

4. The Shack
Designers: Marisa Ghigleri, Dave Aldrich, Bobby Downes
Publisher: Windblown Media

SHACK

This cover is a graphic tiramasu. We move through three vertical layers, top and bottom ones mirrored. The effect is literally peering into a gap of a fence. This creates a rich sense of symbolism about borders, eschatology and the construction of the universe. To offset this, the actual details are earthy and real:  timber grain. snow. A little ladybird, perches innocently – or so it seems. The big serif type promises a big, serious story. This  creates impact on mature female readers looking for just that.

Main appeals: Call to arms on big issues.
Target audience: Gen X to Boomer, slightly skewed to female.

5. The Guernsey Literary and Potato Peel Pie Society
Mary Ann

Designer: Roberto de Vicq de Cumptich
Publisher: Random House

SHAFFER

The high word count on this cover is managed by overlaying an image of an angled envelope. The typeface on the envelope effects handwritten text which further humanises the tone of the eccentric title. The soft yellow pastel of the envelop ends in drop shadow, and the image of the lonely, mature woman gazing out to sea.  The colours blend easily, warmly. There is no challenge here. This has all the markings of a warm and fuzzy “feel good” story, impacting on a mature female audience.

Main appeals: Lovable human eccentricities. Women’s wisdom.
Audience: Baby Boomer, skewed strongly to female.

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7 Responses to “If looks could sell”


  1. Ben, you’ve written a great blog post here. The “copy”, as well as the “look and feel” of each cover gets the attention of its target audience. I loved the Glenn Beck one, which looked like an old document (implying the Constitution).

    I think I’ll be retweeting about this blog post.

    @paulhancox

  2. S. Max Brown Says:

    Great post Ben! I just found your link from a twitter RT.

    I particularly like your descriptions of why each one appeals to the intended audience. Leaves me with lots to think about.

    Max
    @smaxbrown


  3. Hi Ben,

    In doing a google search I came upon this older post of yours. I was one of the designers of The Shack. 10 million copies in print and it’s still on the NY Times best seller list for almost 90 weeks. We had no idea that that book would become so successful. (If only I had half a penny for each one…!)

    Dave

  4. Ben Dawe Says:

    Hi Dave
    I’m so glad you found me this way. Its always a thrill to hear from a key player in a success story. There’s no way of predicting some successes I guess, but I’d say that if alrichdesign is involved the odds just narrowed.
    best for the future
    Ben


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